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Saturday,�July�31,�2010
Top > Ampeg Items
Ampeg SVT-3PRO Series Head
Ampeg SVT-3PRO Series Head
$899.95
 
Ampeg SVT-3PRO Series Head
 
List Price: $1,399.99
This item Qualifies for FREE SHIPPING!

The sound is in your head. You've played countless instruments in search of the ultimate soul mate. Now you need an amp that will speak your sound to the audience. That’s where the SVT-3PRO comes in. There’s a reason this amp is a best seller—it delivers the goods! With up to 450 watts and the sweet sound of tubes, the SVT-3PRO is the top choice of rockers and funkmeisters around the globe.

It’s all about tone. The SVT-3PRO’s Frequency control allows you to select the center frequency for the Midrange control, giving you a choice of five distinct “voices” for the Midrange. The center frequencies are 220Hz, 450Hz, 800Hz, 1.6kHz and 3kHz. And if that’s not enough, you can use the 9-Band Graphic EQ to custom tailor your sound even more. Or use the EQ to set up a footswitchable “second channel” for your show-stopping bass solo.

The SVT-3PRO is designed for the player who wants SVT tone and performance (with a few modern enhancements) in a convenient rackmount design. Robert Trujillo (Metallica) and Les Claypool (Primus) are just a couple of the world-class artists that depend on the SVT-3PRO to get the job done, day in and day out.
  • Tube Drive Control
  • 1/4” and Neutrik Speakon® Outputs
  • Input Peak LED
  • Input Pad and Bright Switch
  • Mute Switch and Tuner Out

Chris-Squire.jpg

For nearly 40 years Yes have been one of most renowned progressive rock groups in the world, having built an international following around transcendent melodies and intricately layered arrangements. Yes pioneered the use of synthesizers and was one of the first to incorporate classical music principles into its stylistic, sci-fi hybrid of sounds and effects.

Chris Squire, founding member and bassist, is instrumental in anchoring Yes’ sweeping artistry, maneuvering the band’s multifaceted chord and time signatures with master craftsman ease; his signature riff on the FM radio staple “Roundabout” is one of rock’s most distinctive bass lines.
 
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